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- <text id=90TT1034>
- <title>
- Apr. 23, 1990: Cocktail With Rum And Cyanide
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Apr. 23, 1990 Dan Quayle:No Joke
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CINEMA, Page 90
- Cocktail with Rum and Cyanide
- </hdr>
- <body>
- <p>By Richard Corliss
- </p>
- <qt> <l>MIAMI BLUES</l>
- <l>Directed and Written by George Armitage</l>
- </qt>
- <p> This is an "only" movie. It does nothing important, like
- contributing to racial harmony or revealing decade-old Soviet
- naval secrets. It declines to offer the machine-tooled warmth
- of your standard screen romance. It won't even keep the kids
- occupied on a Saturday afternoon. Miami Blues, a pint-size
- character comedy with a body count, is only a terrific picture.
- </p>
- <p> Three characters, all certified originals. The first,
- Frederick J. Frenger Jr. (Alec Baldwin), is also certifiable.
- "A blithe psychopath," in the words of Charles Willeford's
- spiffy source novel, Junior is fresh out of a California prison
- and primed for Miami vice. His M.O.: robs crooks who have robbed
- other people. Thinks he's smart; isn't. Has grousy temper; will
- break the finger of an unsuspecting airport Hare Krishna. Can
- compose haiku during his heists--"Breaking, entering/ The dark
- and lonely places/ Finding a big gun"--but can't choreograph a
- decent holdup. Junior is an engaging monster, a clown in his
- own horror show. As his nemesis, Miami detective Hoke Moseley
- (Fred Ward), mutters, "I'd hate to meet Senior."
- </p>
- <p> Hoke is a grizzled cop, a down-market Columbo, ill at ease
- in the new Miami of drug millions and Hispanic flash. Junior,
- who has stolen Hoke's gun, badge and false teeth, is just the
- sort of criminal throwback Hoke understands. But Junior's girl
- Susie (Jennifer Jason Leigh) is a mystery. A sweet cracker from
- upstate, this Princess Not-So-Bright is grateful to Junior for
- the minutest graces: he eats her cooking and doesn't beat her.
- She and the con are lost souls sharing a postcard vision of
- Nirvana: a cloudless beach, a dog leaping for a Frisbee, a
- cruise ship navigating the horizon. Unremarkable. For Junior
- and Susie, unattainable.
- </p>
- <p> With its slums abutting the sea, its raffish hoodlums and
- its Day-Glo deco decor, Miami is the city to which all Jonathan
- Demme films aspire. Married to the Mob ended up there, long
- after Baldwin had played his memorable cameo as a Mafia stiff.
- Funny thing is that Demme only produced Miami Blues; his
- colleague from the Roger Corman B-movie Borstal of the '70s,
- George Armitage, is the writer-director. Funnier still, Armitage
- has one-upped his old pal. Whereas Demme's movies punctuate
- flaky comedy with explosions of violence, Miami Blues blends the
- two moods in a savory tropical cocktail. What makes the taste so
- tangy--the rum or the cyanide?
- </p>
- <p> Armitage has fun with Miami but never makes fun of it. He
- just stands off at an ironic distance, appreciating the blazing
- incongruity of an aquacade at a restaurant or a maimed thief
- pocketing his severed fingertips. The actors too come at their
- roles energetically, not condescendingly. Baldwin plays Junior
- with a goofy grin and the scheming intensity of a small mind
- spinning its wheels and getting nowhere. Ward finds Hoke's
- integrity down at his heels. And Leigh, a gifted chameleon who
- deserves stardom, can wring pathos just by reading a recipe for
- vinegar pie or walking up the path to a house she will never
- own. Handsomely made, wonderfully acted, Miami Blues is the kind
- of picture Hollywood ought to be making more of. If only...
- </p>
-
- </body>
- </article>
- </text>
-
-